2014: "Glocal" Place Making & the Digital Front Door
AustinAlchemy.com blog post
Lovecraft’s surprise ranking on Pantheon, that I described in an earlier post, and this surprise donation to the Providence Athenaeum provide a case study on how a local nonprofit can greet and partner with a digital global “public”. … The H.P. Lovecraft Bronze Bust project is an example of a digitally connected community longing for place-based ways to witness their respect and admiration.
2014: "Pantheon" - Greeting the Global at your Digital Front Door
AustinAlchemy.com blog post
Lovecraft’s surprise ranking on Pantheon, that I described in an earlier post, and this surprise donation to the Providence Athenaeum provide a case study on how a local nonprofit can greet and partner with a digital global “public”. … The H.P. Lovecraft Bronze Bust project is an example of a digitally connected community longing for place-based ways to witness their respect and admiration.
Who are your ambassadors? Outsiders & the Open Door
Neither Lovecraft nor
Poe nor even Sarah Helen Whitman was ever a member of the Providence
Athenaeum. These outsiders recognized and became devoted to a special
place, but were never part of the inside circle - or even the next few rings
out. Yet it was the
financially beleaguered female poet Sarah Helen Whitman (1803-1878) who has
been the most effective long term maven connecting the Athenaeum to
Poe, Mallarme, and Manet. Now, H.P. Lovecraft joins the ranks as vital
ambassador for the Providence Athenaeum. This is the kind of
historical insight that can channel strategy in new ways.
Posted May 6, 20142014: "Pantheon" - Greeting the Global at your Digital Front Door
Pantheon is a “Big
Data” project from the MIT Media Lab that will convince non-profits to
visualize Wikipedia as a digital front door that can advance public mission.
What strategies can help the local nonprofit greet the global digital public?
Posted
April 28, 2014
2014, 2012: “People in Place”, Mapping Barrington, Rhode Island’s Industrial
Past
Currently
on view at the Barrington (RI)
Preservation Society through June 30, 2014
Designed as an innovative
prototype for the digital humanities, this Roger Williams University Historic
Preservation student project provides new contexts for understanding about 25
historic buildings and locations in Barrington, and the men and women who lived
and worked here.
2012: Historic Urban Signage, Place Making & new Cultural Tourism
Apps
“Urban Signage
in Providence, 1770-1890,” Before Madison
Avenue: Advertising in Early America
[Co-sponsored by the Visual Culture Program at the Library
Company of Philadelphia (VCP at LCP) & the Center for Historic American Visual Culture at the American Antiquarian
Society (CHAViC
at AAS).]
2011-10: Facts & Interesting Fictions: Locating the American Academy
in Rome’s Founding History
Friendship at the
Shack - Presentation at American
Academy in Rome (Feb. 23, 2011)
Founding the American
Academy in Rome - AARome Blog (May
24, 2010)
Tracing
the AAR’s First Twenty Years: The Villa Aurora - AARome Blog (March 16, 2010)
2010: “Locative Media and the
Possibility of Place,” Monthly Design Review.
Launch issue of an online design journal edited by RISD-ID grad, Tino
Chow.
Less
than one hundred years ago the US Congress formally recognized the standardized
time zones we rely on today without thinking. This “tipping point” occurred
decades after Greenwich Mean Time was adopted, and it was an agreement reached only
after decades of confusion caused by the new railroad networks trying to arrive
on time at the hundreds of locally determined
time zones enacted across America. Now we are at a turning point in talking about
location, just as we were more than a century ago talking about time. As this important
conversation goes forward, I hope it will be joined by a broad coalition committed
to exploring the broadest range of possible implications. We need a common vision
of a sustainable future. Talking about “where”
will be part of it.
Article illustrations by RISD-ID grad Arthur Harsuvanakit |
2010-2009: Off-Road - Historic
Synagogues in New Haven.
Memory, Mobility & Location Technology
Memory, Mobility & Location Technology
"Off-Road: Experimental Cultural Tourism in New Haven's Yale
Hospital, Oak Street Connector and Historic Orchard Street Synagogue Area. An
Art Installation by Nancy Austin,” The
Cultural Heritage Artists Project of the Orchard Street Shul (2009): 64-65.
2008: Cloud computing as an Emerging Location Technology - Yale University Material Culture Lecture Series “Appliances as
Performance Peripherals in the New Age of Cloud Computing,”
1995: “The Mass-Produced Pen and Images of
Writing in 19th c. America,”
American
Antiquarian Society Seminar in American Art History
1994, 1991, 1983: “Naming the Landscape: Leisure Train Travel and the Demise
of the Art Salon,” International Association of Philosophy and Literature Symposium on Art
and Change (Montreal, May 1991).
“Naming the Landscape:
Leisure Travel and the Demise of the Salon.” In Transformations: The Languages of Personhood and Culture after Theory ,
ed. Christie McDonald. (Penn State Press, 1994): 35-60.
…Between 1845
and 1860 railroads penetrated most of France, making the entire national
landscape available as a leisure travel destination. Ironically, this emphasis
on the specific and on regional differences occurred as these very qualities
were being obliterated. …Naming the landscape thus became an integral aspect of
the painting. This articulation of difference – by insisting that this was a
view of here and not anywhere else – is evident despite the generic similarity
of many of the landscapes.
…In the 1850s,
new means of leisure travel opened up new ways of experiencing nature that were
reinforced in various ways in the rest of culture during the 1860s and 1870s.
By the late 1880s, these mutually reinforcing practices had split apart. The
marketing and consumption of representations of the French landscape after
mid-century are details that can help focus cultural production in the
nineteenth century as a whole.
My pre-computer "Big Data" master's thesis on Salon landscape paintings |
1992: The Amazeing Grace Clothing Project - Collaborative Performance as Academic Conference Intervention
This was a performative intervention at a women's
study conference. As an emerging academic, I had been on
the scholarly conference circuit for some time in an effort to establish myself
as an interdisciplinary academic in a tenure-track job. The A*maze*ing Grace Clothing
Project was my activist response to the complicated conventions of networking and competition that hovered
around non-tenured scholars at these academic conferences. How hard would it be to offer an opportunity for a different kind of embodied voice? For shared making outside on the grass, as well as conference speaking in the anonymous spaces of the conference rooms? Was this "legitimate" knowledge production?
1981: Manet & the Execution of Maximilian (exhibition & catalogue)
“Metaphor and Fact at Mid-Century: Manet and Contemporary History
Painting,” in Edouard Manet and the Execution of Maximilian, ed. Kermit Champa.
(Brown University, 1981).
My essay was part of the forward-looking exhibition and catalogue produced by the Brown
University Master's Degree graduate students in Art History, 1980-81.
We think of the
24/7 news cycle as a recent phenomenon, but in 1869 the French painter, Edouard
Manet had to develop an entirely new painting style to adjust to the changing
public awareness of the details surrounding the execution of the Emperor
Maximilian in Mexico on June 19, 1867. Manet’s
body of five works on the Execution of Maximilian document the impact of
information on visual narrative.
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